Robot Song
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https://www.theatreworks.org.au/2026/robot-song
Date Reviewed: 15/02/2026
Bullying hasn’t changed. The chill in your spine, the cruelty, the way it shrinks you—these have always been the case. The only thing that’s evolved is the device in your hand. That’s why opening Robot Song on a giant smartphone screen feels chillingly apt. These days, humiliation travels at the speed of a screenshot, yet the cavalry of Mum and Dad sits closer than ever, watching the digital tide rise.
On the towering on-stage screen, eleven-year-old Juniper appears, small in the frame, whispering to her parents that she’s afraid. It’s a sharp, modern image of isolation. Despite her intelligence, she does not enjoy school; taunted and isolated, Juniper is one of thousands of Australian children whose anxiety runs so high that the classroom feels like a battlefield. Created, written, and directed by Jolyon James, the production tackles these themes of identity without a hint of the preachiness that often plagues family theatre.
The story is deceptively simple. Juniper receives a petition signed by her classmates calling her “the most hated person in the school.” She avoids eye contact; she speaks differently; she stands out in a sequined version of Punky Brewster outfit.
“Robot” becomes the insult meant to define her.
While the show hints at digital cruelty and even mentions the social media ban, one question lingers. In a world of group chats and viral pile-ons, why a paper petition? Letters falling from the sky look striking on stage — but phones are today’s weapon. The opening image points there. The show hints at digital cruelty; it could have pushed that further.
Autism is never named, but it’s clear. The story draws from James’ experience parenting a child on the spectrum. That truth keeps it grounded and personal.
Visually, it’s slick and inventive. Live animation, puppetry and animatronics blend seamlessly. The early scene of Juniper hiding in a cupboard, asking her parents to come and get her, lands hard. The screen feels like both shield and cage.
Then comes the robot, rising from the giant backyard bin that has been Juniper’s refuge.
A lit-up, singing creation built from everyday rubble: coffee cups, bowls and scraps. It sounds absurd. It works. What could feel gimmicky feels earned: a mechanical manifestation of resilience against bullying and it helps Juniper redefine the harsh words.
“How do you feel about robots, Juniper?” “They’re awesome.” “So when they call you robot, you are actually awesome!” … or words to that effect.
Actress Adeline Hunter is a revelation in the role. She commands the stage with a rare "it" factor, capturing Juniper’s intelligence, fragility and confusion with a control that suggests a performer far beyond her years.
Phillip McInnes (Dad) and Michelle Doyle (Mum) bring warmth and steadiness. They show the kind of love that doesn’t fix everything but never walks away.
The score by Nathan Gilkes lifts the show without drowning the intimacy of the central trio. It shifts easily from playful to powerful. At times it feels Broadway-sized, as if a full musical cast might flood the stage, yet it never drowns the intimacy. The singing is tight and beautifully executed.
Originally commissioned by Arena Theatre Company, the show has already won a Helpmann Award. You can see why. Robot Song is technically bold and emotionally clear.
At its heart is a simple idea: if we’re all different, maybe that’s what connects us.
Stylish. Smart. Deeply felt. A family musical that respects its audience — and lingers long after the robot powers down.
Highlights
- Powerful smartphone opening that feels immediate and real
- Strong, nuanced performance from Adeline Hunter
- Seamless blend of live tech, animation and puppetry
- A surprisingly moving giant robot finale
- Polished, contemporary score with Broadway sweep
- The importance of the anti-bullying message and plea for inclusion.
Who’s it for?
- Kids who’ve ever felt different
- Parents navigating tricky school years
- Teachers and students
- Anyone interested in inclusion and identity
- Adults who think “family theatre” can’t be sophisticated.
This one proves it can.
Robot Song is performed at Theatre Works in St Kilda at 11am Monday 16 February, and from Tuesday to Saturday 21 February at 11am and 7:30pm.
Reviewed by Mary Sinanidis