Primavera

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https://rialtodistribution.com/film/primavera/

Date Reviewed: 14/06/2026

A complex and sophisticated film that lacks a little something in terms of pacing and narrative. By no means the best biopic I have ever seen, Primavera is still a fascinating work that uses classical music as a clever device without reducing it to a gimmick.

The film is an adaptation of the historical novel Stabat Mater (2008), written by Tiziano Scarpa. By making this choice, director Damiano Michieletto is able to examine and explore Vivaldi as a character without having to worry about historical accuracy or similar constraints. All of the characters possess a lush, literary quality. The sets and costumes are truly sublime.

It is the character of Cecilia, played superbly by Tecla Insolia, who inspires the narrative. Her struggle between convention and radical possibility, and the challenge of balancing her ambitious talents against the expectations placed upon women, transform what could have been a small domestic film about nostalgia for a bygone era into a startlingly modern perspective on how women's creativity is viewed and valued.

Michele Riondino does a fine job as Vivaldi. He brings this historical figure vividly to life and provides a clever contrast to Cecilia. The tension between these characters is delicious to watch. Truly, Primavera has The Lion in Winter level historical tension and drama.

Primavera reminded me of how we describe creative figures. When talking about male artists, people will often say they adore a "Pollock", a "Mozart", a "Picasso", or a "Dali". Yet they are more likely to refer to female artists by their full names: "Tracey Emin", "Frida Kahlo", or "Yayoi Kusama". The inclusion of the full name can suggest, however unconsciously, a different category of recognition. It separates the labour of the female artist from the shorthand familiarity afforded to their male counterparts.

There is some of that commentary in Primavera. It does not explore the idea as deeply as I would have liked, but I nevertheless found the film thoroughly enjoyable. A pleasant enough afternoon.

By Nicolas Van Der Haar.