FUORI
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https://italianfilmfestival.com.au/
Date Reviewed: 19/09/2025
Fuori is a film that sticks with you long after you leave the cinema. Based on Goliarda Sapienza’s memoir L’università di Rebibbia, it follows her brief stint in Rebibbia prison in Rome. But don’t expect it to be all gloom and bars, this film is about the little freedoms, the quiet victories, and the friendships that make even the hardest moments feel alive.
Valeria Golino is incredible as Sapienza. She doesn’t need to yell or break down to make you feel her struggles. She tells her story in small gestures, pauses, the way she looks at people and the world around her. You feel her frustration, her tiny wins, and the rare sparks of connection that keep her going. Matilda De Angelis and Elodie bring energy and heart to the story, their interactions feeling messy, real, and human.
The cinematography is another highlight. The prison scenes could’ve been dark and heavy, but they feel lived-in, full of little details like sunlight spilling through a window or the texture of a wall. You get a sense of place that feels real, not just a backdrop for the story.
The film isn’t perfect. The story jumps around a bit, drifting through memories and events in a way that feels like you’re floating through Sapienza’s life rather than following a clear plot. Some supporting characters never fully land, and at times you might wish for more context. But this loose structure works. Life isn’t neat, and Fuori captures all the messy, fragmented, tiny moments beautifully.
What stays with you is its honesty. This isn’t about big dramatic highs. It’s about quiet strength, resilience, and the relationships that hold us together. Watching Fuori feels like peeking into someone’s life, bearing witness to their unique highs and lows.
It’s thoughtful, moving, and beautifully shot. Not a fast-paced thrill ride, but the kind of film that lingers, makes you think, and maybe even see your own life a little differently.