Bombshell Blues

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https://www.nineteenten.com.au/

Date Reviewed: 04/07/2026

Perched above the restless pulse of Hindley Street, Nineteen Ten offers a seductive glimpse into the world of prohibition‑era speakeasies. It is an intimate, warmly lit hideaway — part cocktail lounge, part vintage fantasy — with its well‑stocked bar, central pool and dance floor, a cheeky bathtub feature, and a cosy nook for the musicians. The space feels both theatrical and inviting, a place where the night unfolds in layers.

The staff deserves special mention. They are unfailingly friendly, attentive, and wonderfully busy, gliding between tables with cocktails, wine, spirits, and bubbly. Coffee and bar snacks are available too, adding to the sense that patrons are genuinely looked after. Seating ranges from plush couches and booths to small tables with stools; though comfortable at first, the backless stools did grow a touch unforgiving as the evening stretched on. With the open roof letting in the cool night air, blankets were thoughtfully offered to anyone feeling the chill — a small gesture that added to the venue’s charm.

Tonight’s entertainment centred on classic blues from Adelaide band The Night Owls, led by Oscar LaDell (guitar, vocals and songwriter), with Mickey Garcia (drums), Jason Mannix (bass), and Jesse Deane Freeman (keyboard). Styled in the tradition of B.B. King, Jimmy Rogers and Guitar Slim, their sound was smooth, soulful and beautifully measured. They provided not only easy listening but a rich musical foundation for the burlesque performers, enhancing the atmosphere without ever overwhelming it.

Three burlesque artists graced the stage — Sapphire Snow, Remi Reign and Sara Martini — each bringing her own flavour of glamour, polish and personality. These women are consummate entertainers. Their costuming was gorgeous, their choreography refined, and their command of the room undeniable.

Sapphire Snow was a standout. Her skill, poise, and sheer enjoyment of her craft radiate through every movement. There is a sophistication to her performance — a sense of confidence and artistry — that elevates her work beyond mere tease into something more elegant.

Remi Reign, a familiar and much‑loved presence in Adelaide’s burlesque and Fringe circles, brought her trademark charisma and playful edge. Her stagecraft is assured and her connection with the audience immediate, and she makes every moment feel both spontaneous and meticulously shaped.

Sara Martini completed the trio with style, delivering a performance that blended classic burlesque glamour with a modern spark. Her timing was impeccable, her presence magnetic, and she contributed beautifully to the evening’s balance of tease, humour and allure.

Together, the dancers and musicians created a night that felt both nostalgic and fresh — a celebration of blues and burlesque within the intimate space of Nineteen Ten. It was a warm, lively, and enjoyable experience, and one that showcased the depth of talent within Adelaide’s vibrant performance scene.

 

Reviewed by Deb Secombe